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[疯狗 Cani arrabbiati][HD-MKV/2.13G][英语中字][1080P] 犯罪 超可爱磁力链BT资料3

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◎电影译名 疯狗

◎电影片名 Cani arrabbiati

◎年  代 1974

◎产  天 意年夜利

◎电影类型 立功/惊悚

◎语  行 意年夜利语

◎上映日期 1974

◎豆瓣评分 7.4/10 from 261 users

◎豆瓣链接 https://movie.douban.com/subject/1293693/

◎片  少 96 分钟

◎导  演 马里奥·巴瓦 Mario Bava

◎主  演 里卡多·库乔推 Riccardo Cucciolla

      阿我多·卡波僧 Don Backy

      Lea Lander

◎影片简介

  Rabid Dogs represents the only directorial teaming of the great Mario Bava and his son Lamberto, and it also represents a huge diamond in both directors' filmography. Mario Bava is probably most famous for his work on Gothic horror masterpieces such as Black Sabbath and Black Sunday, while Lamberto Bava made his name with trashy Giallo's such as A Blade in the Dark, and schlock horror the likes of Devilfish. Rabid Dogs, however, is a crime come exploitation flick, and even though this sort of film isn't either man's forte; it's still hands down one of the best movies of its kind. The film works principally because of the way the director's set up the situation and characters. The central plot is really rather thin, but anyone describing the film as 'deep' wouldn't be wrong, and it's down to the way the directors embellish it. The plot follows three criminals who, after botching a robbery, kidnap a woman, a man and his sick child hostage in the man's car, where they instruct him to drive them to safety. However, it's not going to be a smooth ride as tensions heat up between the guilty and innocent inside the car.

  The way that the characters are set up is masterful, and it's thanks to this that the film works so well. After a while, we begin to be able to see the sorts of decisions that the characters are going to make, and the way that they're all so different ensures the action is always interesting. The vast majority of this movie is set inside a car, and Bava makes best use of his claustrophobic location and uses it well in order to rack up the tension. While Mario Bava is responsible for some of Italy's best horror films, it has to be said that a lot of them aren't all that 'nasty' – but here there is an exception. The director seems to delight in the shocking violence and ritual humiliation inflicted upon his lead characters, and several tense scenes are likely to shock and disturb the viewer. Even though the film doesn't have a lot of variation between its scenes, Bava manages to keep it interesting through the relentless pace and the intelligent dialogue between the lead characters. It all boils down to a superb ending, which while not entirely impossible to guess, does succeed in providing a nice shock. I had a rather difficult time tracking down this film – but it really was worth it, and I recommend every Bava fan do the same!

 患狂犬病的狗代表独一的导演协作的巨大Lamberto马里奥·战他的女子,那也代表了一个宏大的钻石正在那两位导演的电影散锦。马里奥·能够是,他最出名的事情便是哥特式恐惧佳构如乌色安眠日战乌色礼拜天,当Lamberto Bava把他的名字战出用的黄色的如一片漆黑中,差劲的恐惧像章鱼。患狂犬病的狗,但是,是一个立功去抽剥影戏,虽然那类影戏没有是那两人的优点,它仍旧是脚下去最好的影戏的范例。影戏做品次要是因为导演的设置状况战特性。中心情节长短常薄的,可是任何形貌那部影戏是“深”没有会错的,那与决于它的董事润。情节以下三个功犯,正在建补一个掳掠,绑架一个女人,一个汉子战他的死病的孩子做为人量正在汉子的车,他们教诲他开他们的宁静。但是,那没有会是一个仄稳的慌张热之间汗下战无辜的车内。

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